
Gain in this instance is determined by the feedback resistor/input resistor. It may look daunting and take a while, but it’s worth it! Do all the steps-and the troubleshooting to figure out why your results seem different from the ones in the article-and you’ll never again fear the FET.Īlso, if I replaced the gain pot on a Westwood clone with a lower value (say down to 700k instead of 1M as listed), would that bring down the gain range without messing with anything else? Or could that value be the basis for some other parts of the circuit working correctly?Ĭorrect.
COOPER FX SIGNAL PATH SELECTOR HOW TO
Importantly, it covers how to figure out the characteristics of a JFET, and how to use that information to design your circuit. It describes, step by step, how JFETs work and how to build a boost using one. SmallBear Electronics’s tutorial for breadboarding a simple JFET boost is exactly what you’re looking for.It also has a handy calculator for this circuit, though I think it’s worth doing the numbers by hand at least once-it’ll really, really improve your understanding of JFET circuits, speaking of which. ’s Fetzer Valve goes into a lot of detail about JFET biasing and why JFETs are favoured for approximating the sound of tube amp distortion.Breadboard a one-JFET gain stage first, just to get the initial learning curve out of the way on a simple design that’s easy to troubleshoot.

If you have the right value and it physically fits, you’re in good shape. Long story short: I wouldn’t agonize over it.

Now, if you’re building lots of pedals, the higher quality parts will improve overall performance and make for better consistency from unit to unit. If it isn’t in the signal path, then you really can’t tell. I’m of a mind that the average builder/player wouldn’t be able to tell if a pedal was built with 1 ceramic cap or a silver mica. Now, whether all that makes any real difference is up for debate. You’ll notice that in the picofarad range you’re looking almost exclusively at ceramics, then from 1nanoF to 1uF film is more common. Ceramics in general have a reputation for being noisier than other options.Īnother consequence of the different materials is the values that can be achieved. Other caps are more sensitive to temperature changes (their real value changes with heat) and aren’t suitable for tube amps etc. Ceramic caps are often avoided in electric guitar wiring because they can become microphonic. But the materials do have secondary characteristics that can make a difference. From an electrical standpoint, 1 nanofarad is as good as another. The difference between film and ceramic caps is primarily the different insulator. So all capacitors are little more than conductive sheets of material separated by a thin insulator and rolled up. This is my parts list, I still have to buy a handful of items (a few capacitors, the resistors, case etc.)Ġ611D2$1.25 USD $2.50 USDAlpha Single-Gang 12mm Solder Termsġ011BM B50K2$1.65 USD $3.30 USDAlpha Single-Gang 12mm Solder Termsġ011BM B5K1$1.65 USD $1.65 USDAlpha Single-Gang 12mm Solder Termsġ011BM A500K1$1.65 USD $1.65 USDAlpha Single-Gang 12mm Solder Termsġ011BM B100K1$1.65 USD $1.65 USDAlpha Single-Gang 12mm Solder Termsġ011BM A100K1$1.65 USD $1.65 USDAnco.

I've done a fair amount of kits and feel fairly confident in my skills with those but this would be my first time sourcing my own parts (which I find quite difficult), wondering if someone can check my order to see if I got it right so far? I chose the eaglet overdrive for my first pcb build :
